Blocking orders against web sites and services that engage in or enable copyright infringement are common in the European Union. BitTorrent sites like The Pirate Bay are a frequent target of such orders. See, Keeping The Pirate Bays at Bay: using blocking orders to curtail infringements; Blocking orders against ISPs legal in the EU: UPC Telekabel Wien.
Posts Tagged ‘Copyright’
On Friday, the Copyright Board released a decision and certified two SOCAN tariffs, Tariffs 22.D.1 (Internet – Online Audiovisual Services) and 22.D.2 (Internet – User-Generated Content). The years covered by the tariffs are 2007-2013.
The tariffs were certified based on agreements reached between SOCAN and objectors. Between the objectors and other entities which filed submissions, the heavyweights affected by the tariffs participated including Apple, Yahoo!, YouTube, Netflix, Facebook, Cineplex, the members of the Canadian Association of Broadcasters (CAB), and the Canadian ISPS Rogers, Bell, and Shaw.
The Supreme Court of the United States ruled in a 6 to 3 opinion yesterday that Aereo’s Internet retransmission service infringes copyright. Aereo had tried to architect its television restransmission system to avoid paying copyright royalties or license fees by “renting” dime sized antennae to subscribers. Judge Chin of the US Second Circuit Court of Appeals had called Aereo’s service “a Rube Goldberg-like contrivance, over-engineered in an attempt to avoid the reach of the Copyright Act and to take advantage of a perceived loophole in the law.” In American Broadcasting Cos. v. Aereo, Inc., the SCOTUS agreed telling Aereo essentially, it looked like a cable retransmitter, it acted like a cable retransmitter, Congress had specifically amended the Copyright Act to ensure that cable retransmitters publically performed when they delivered programming to subscribers, and that Aereo’s service was indistinguishable in any meaningful way from those services.
The Government announced today that the notice and notice regime established under C-11 is coming into force in January 2015. The delay in bringing these provisions into force was a consultations on possible regulations that the regime permitted. The Government announced that the provisions are coming into force without regulations.
The regime permits copyright owners to send notices to internet service providers and other internet intermediaries claiming infringement of copyright. The notices must be passed on by these service providers to their users. Because there are no regulations, the notices must be processed and passed on by the internet intermediaries without any fees payable by copyright owners.
I had the pleasure of being a panelist at the 2014 Annual Fordham Law and Policy IP Conference. My panel was on the topic of orphan works and mass digitization. My contribution was to provide a summary of Canada’s orphan works regime. The following are some of my speaking notes from the panel.
S.77 of the Act sets out the basis for granting licences to works and other subject matter where the owner cannot be located after reasonable efforts. S. 77 reads as follows:
77 (1) Where, on application to the Board by a person who wishes to obtain a licence to use
European courts have ordered ISPs to block access to pirate file sharing sites in other countries for years. The jurisdiction for doing so is Article 8(3) of the EU Copyright Directive (Directive 2001/29/EC of the European Parliament and of the Council of 22 May 2001) which is transposed into the laws of EU Member States. The courts have considered these orders to represent a reasonable balance between the interests of copyright holders, intermediaries, and end users. See, Keeping The Pirate Bays at Bay.
Yesterday, I gave a talk at the Law Society of Upper Canada’s 18h Annual Intellectual Property Law: The Year in Review program. My talk canvassed developments in copyright in Canada, the US and UK in 2013. My slides are shown below. The associated paper prepared in collaboration with Glen Bloom, with the help of others, is available here.
The following copyright cases from Canada, the USA, and UK are dealt with in the slides. The paper has additional Canadian cases.
The England High Court recently made an order requiring ISPs to block two linking websites located at www.solarmovie.so (“SolarMovie”) and www.tubeplus.me (“TubePlus”). In doing so, the court in Paramount Home Entertainment International Ltd & Ors v British Sky Broadcasting Ltd & Ors  EWHC 3479 (Ch) (13 November 2013) ruled that the sites, which did not themselves host any content, were nevertheless liable for infringement because they facilitated streaming of content to users by hosting and organizing hyperlinks to the content without consent of copyright owners.
The nature of the sites in issue (the “Websites”) were describe by Justice Arnold as follows:
Slavish copying of a work protected by copyright without consent is sometimes called theft. There is a long history of this association in the Commonwealth and the United States. In fact, in a leading case, the Privy Council stated that the moral basis of copyright rests on the 8th Commandment “Thou shalt not steal”. Despite the long lineage between unlawful appropriation of copyright material and the concepts of “theft”, “larceny” and “steal”, there are still debates as to whether the term is accurate or appropriate to use in this context. There are also still debates as to whether online piracy hurts creators and the creative industries. The recent US case Tamburo v. Dworkin 04 C 3317 (N.D. Ill. Sept. 26, 2013) and several recent reports including a brief by the London School of Economics sheds light on both of these debates.